Although the references have been linked to their sources throughout the report, here is a comprehensive list, together with their standard textual citation.
J. Woodhouse. On the Playability of Violins, Part II: Minimum bow force and transients. Acustica, 78:137–153, 1993
Q. Llimona. Playability study of a bowed string physical model including finite-width thermal friction and hair dynamics. Master Thesis, Universitat Autònoma de Barcelona, 2015.
C. V. Raman. On the mechanical theory of the vibrations of bowed strings. Bulletin of the Indian Association for the Cultivation of Science, 15:1–158, 1918.
J. Woodhouse and P. Galluzzo. The bowed string as we know it today. Acustica - Acta Acustica, 90(4):579–589, 2004.
S. Serafin, J. O. Smith, and J. Woodhouse. An investigation on the impact of torsion waves and friction characteristics on the playability of virtual bowed strings. In Proceedings of the 1999 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Platz, New York, USA, 1999.
J. C. Schelleng. The bowed string and the player. Journal of the Acoustical Society of America, 53:26–41, 1973.
E. Maestre, G. Scavone, and J. O. Smith. Digital modeling of bridge driving-point admittances from measurements on violin-family instruments. In Proceedings of the Stockholm Music Acoustics Conference, 2013.
E Maestre, C. Spa, and J. O. Smith. A bowed string physical model including finite-width thermal friction and hair dynamics. In Proceedings of the 2014 International Computer Music Conference, 2014.
J. Woodhouse. Bowed string simulation using a thermal friction model. Acta Acustica united with Acustica, 89:355–368, 2003.
K. Guettler. On the creation of the Helmholtz motion in bowed strings. Acta Acustica united with Acustica, 88(6):970-985, 2002.
E. Schoonderwaldt, K. Guettler, and A. Askenfelt. An empirical investigation of bow-force limits in the Schelleng diagram. Acta Acustica united with Acustica, 94(4):604-622, 2008.